However, this work is a resurrection of a resurrection, the music was composed between 19 and the dances pieces have previously be revived on several occasions including a 1992 production in Brussels – this is not to diminish them as artworks, merely to point out their performance is hardly Tank specific. The set of four dances articulating the principles of four musical compositions is visually pleasing and illuminates the craft of the composer. Opening the performance space with Anne Teresa De Keermaeker Fase: Four Movements to the Music of Steve Reich was certainly a deft move by Tate the mixture of Steve Reich’s minimalist musical scores alongside the representative (never illustrative) choreography of De Keepmaeker is an accessible entry point to performance pieces. The architecture is as stunning as ever and the programme looks intriguing but you have to leave thinking just how long can a dedicated area for performance based art really last? Tate Modern has opened up The Tanks with 15 weeks of “ art in action” in a new specially dedicated performance art space.
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